Fayetteville Film Fest Celebrates and Nurtures Arkansas Filmmakers: A Q&A with Russell Sharman

Walton Arts Center has partnered with Fayetteville Film Fest to bring an evening of narrative and documentary films created by Arkansas filmmakers on Friday, Feb. 25, at 7 pm.

Fayetteville Film Fest selected five titles for inclusion in Arkansas Filmmakers Showcase that will be screened in two blocks with a 15-minute intermission.

“The films selected for this year’s Arkansas Filmmakers Showcase shine a light on the incredible range of filmmaking talent across the state of Arkansas,” said Russell Sharman, co-executive director of the Fayetteville Film Fest.

This is an exciting event for Fayetteville, Northwest Arkansas and Arkansas as a whole. Walton Arts Center is thrilled to host the Arkansas Filmmakers Showcase and recently sat down with Russell to learn more about the films selected for this event.

WAC: Why is it exciting or important to highlight Arkansas filmmakers?

Russell: The Arkansas film industry continues to grow at an exciting pace, with more national and international productions finding their way to the state - and to Northwest Arkansas in particular - every year. But we’ve also seen incredible growth in the local filmmaking community over the past decade.

Still shot from the film Session 1 by Arkansas filmmaker Jazymne Black

Those two trends work together in a kind of artistic and commercial ecosystem. The more local productions generate talented and well-trained crew, not to mention quality, award-winning content that showcases the region, the more attractive the state becomes to outside investment from studios and production companies. Celebrating and nurturing that homegrown filmmaking community is an integral part of that ecosystem. And that’s what regional, grassroots film festivals like the Fayetteville Film Fest, and so many others, are all about. It’s not just getting to screen films you might not otherwise have the chance to see. It’s about celebrating and nurturing that community.

WAC: Were most of these films also shot or cast in Arkansas?

Russell: All 5 of the films in the Arkansas Filmmakers program were shot right here in Arkansas.

Still shot from the film Good Gorgeous Hell shot in Fayetteville by Arkansas filmmaker Reed Cash Carson

WAC: Can you tell readers about the process by which these films have been chosen?

Russell: Each year we screen dozens of amazing short and feature length content at the Fayetteville Film Fest. And we always highlight which films have an Arkansas connection so our audience can experience just how amazing the homegrown talent can be. For this program, we selected a few films that we felt represented the broadest possible range of Arkansas-based cinema from our most recent fest. We couldn’t be more excited to give audiences another chance to experience these little cinematic gems on the big screen.

WAC: What was the criteria for film submissions to be considered?

Movie poster from the film And the Winner Is by Arkansas filmmaker Michael Day

Russell: We have a range of criteria for any film submitted to the annual festival. And submissions are open right now! Folks can find all of the details on our website www.fayettevillefilmfest.com. Submissions are open until July 31st. But Arkansas filmmakers can submit FOR FREE until May 31st.

WAC: What can audiences expect from these selections? Are they fictional, shorts, documentaries, etc.?

Russell: This program of short films includes two documentaries and three narrative films, so a little something for everyone. That includes one of our annual pitch prize winners, which is an exciting event we host each year during the festival. Filmmakers get a few minutes to pitch their film idea, and we give the winner $2,000 to help make their film! Good Gorgeous Hell won the pitch price in 2020 and we were able to screen the finished film last year. The program also includes two films - And the Winner Is and Once Forgotten - made by recipients of our Micheaux Award, a film fund that supports filmmakers of color from across the state.

 WAC: What are some of the themes that the films explore? 

Russell: The themes are as varied as the films themselves, but there does seem to be a consistent interest in probing questions of justice and past trauma. Which is not surprising given the past couple of years. I think we can all identify with the themes these films are exploring.

WAC: Can you tell readers a little about Fayetteville Film Fest’s history and how long you’ve been around?

Still shot from the film Once Forgotten by Arkansas filmmaker Obed Lamy

Russell: The Fayetteville Film Fest is a grassroots, local film festival now in its 14th year. It was founded by a core group of filmmakers and film lovers and continues to be an all-volunteer, non-profit organization dedicated to celebrating independent film and fostering a community of filmmakers right here in Arkansas. We host an annual film festival each fall in downtown Fayetteville, and have created various initiatives to support the local filmmaking community, including the Fayetteville Film Prize and the Micheaux Award and Film Lab.

WAC: Are there opportunities to volunteer or be a member of Fayetteville Film Fest?

Russell: As an all-volunteer organization, we are ALWAYS looking for volunteers. Whether that means helping out at our annual event - in exchange for free tickets and a snazzy t-shirt - or getting involved year-round. We’d love to hear from you!

Movie poster from the film Part of the Kingdom by Arkansas filmmaker Makenna Cofer

WAC: What do you hope that audiences take away from viewing the Arkansas Filmmakers Showcase?

Russell: We hope everyone walks away with a new appreciation for the exciting talents coming out of our region and our state. Most of the films in this program were made by student filmmakers. This is the next generation of filmmakers. And we can’t wait to see what they do next.

WAC: Is there anything else you’d like readers to know about the Arkansas Filmmakers Showcase or Fayetteville Film Fest?

Russell: Our mission is to build and support the filmmaking community. We’d love as many partners in that mission as possible. For more information on how you can help, visit our website www.fayettevillefilmfest.org.

Arkansas Filmmakers Showcase Schedule

Good Gorgeous Hell (29:05)

• Director: Reed Cash Carson

• A manic single father with a mysterious black eye desperately tries to win back the love of his 10-year old son on a delirious day in Arkansas. Based on the writer/director's real childhood.

Session 1 (9:18)

• Director: Jazmyne Black

• A young Black woman contemplates the struggles of her role in life in modern-day society over the course of a day. Her quest for answers uncovers a shocking revelation.

Once Forgotten (23:27)

• Director: Obed Lamy

• Reframing the story of three enslaved individuals lynched in Washington County, Arkansas, in 1856 as a local community undertaking to reestablish the truth of the events surrounding their lynching and honor their memory.

And the Winner Is (14:32)

• Director: Michael Day

• Sydney Davis finally wins the most prestigious award for best film director. While he believes he has created more opportunities for Black filmmakers, his wife, Tonya, believes he may have compromised his morals and beliefs to secure the award.

Part of the Kingdom (29:57)

• Director: Makenna Cofer

• An investigation of the unique struggle LGBTQ+ students face at Christian universities, specifically at John Brown University. Discussion surrounding the LGBTQ+ community is full of heated tension in Siloam Springs. Part of The Kingdom amplifies the voices of the LGBTQ+ students at JBU, providing them with a platform to share their story. This piece tackles conversations that are uncomfortable for most Christian communities, teaching us that it should be safe to be known.

Additional upcoming film events presented in partnership with the Fayetteville Film Festival include Best of 2021 Fest at 7 pm on Saturday, March 12, and Indie Films Artosphere at 7 pm on Thursday, May 26. Film selections for these two showcases will be announced at a later date.

 Tickets to each of these film showcases are available now for $15 plus applicable fees. Purchase tickets in-person at the Walton Arts Center Box Office weekdays 10 am until 2 pm, by calling 479.443.5600 weekdays 10 am until 5 pm or by visiting waltonartscenter.org.

Live Music Meets Classic Film at Walton Arts Center

Described as “not classical...but not not classical” (David Srebnik, SiriusXM Classical Producer), Invoke continues to successfully dodge even the most valiant attempts at genre classification. The multi-instrumental band’s other ‘not-nots’ encompass traditions from across America, including bluegrass, Appalachian fiddle tunes, jazz and minimalism. Invoke weaves all of these styles together to create truly individual music written by and for the group.

Invoke has written and performed three film scores, bringing their most recent to the Walton Arts Center on Thursday, February 17. Lotte Reiniger’s The Adventures of Prince Achmed, the oldest surviving full-length animated film, tells the story from the famous collection of Middle Eastern folk tales, One Thousand and One Nights. Our hero, Prince Achmed, must face many challenges to save the life of his true love. Invoke’s improvisatory score matches the story’s mix of lighthearted and more sinister themes, weaving an epic tale to match the groundbreaking animation.

 Recently, Zach Matteson and Karl Mitze of Invoke sat down with Walton Arts Center to answer some questions.

 WAC: What can the audience expect from this performance?

 Zach: The Unexpected! When we wrote the score for this silent film, the initial steps involved a group improvisation while watching the movie. Subsequently, we each took parts of the film and created scores that are essentially road maps leading us back to those inspiring moments from the original improvisation. Each time we perform it, it's slightly different, which makes it really exciting for us, and most importantly the audience. In addition, expect to be swept away by the stunning, groundbreaking imagery provided by the 1926 film by Lotte Reiniger, as well as enjoy a little "introduction" to the sound world of Invoke. 

 WAC:  What's a memorable experience you've had while performing this work?

 Zach: At the first showing, we were able to work with students from Austin Chamber Music Center's Summer Music Festival which really bolstered the sound and scale of the music. It was a tremendously fun time working with them – getting them to explore sections of group improvisation, think quickly on their feet, and maybe learn a few new tricks for their own future musical endeavors. 

 WAC: What drew you to this performance field?

 Music has been a large part of my life and family. I come from a long line of music teachers, performers, and ethnomusicologists, so it felt really natural to be a part of this musical world somehow. Chamber music in particular became really my passion because of the freedom it provides in artistic expression as well as the deep friendships it must cultivate in order to thrive. 

 WAC:  Who do you define as "visionary?" Why?

 Karl: Caroline Shaw. She is so fearless and authentic in the way she crafts her art and has created a style of music that is all her own. I’m always trying to emulate that authenticity when I’m writing for our group even if that seems oxymoronic, I suppose I mean that I aspire to be as true to my own style as she is to hers.

 WAC:  To stay at your optimum performance level, how many hours a day do you rehearse?

 Zach: We usually rehearse about 12-15 hours a week at this point in our careers. In addition, a lot of our weeks are now spent on the road, in a classroom talking to students, or on the concert stage so we don't have as much time as we once did when we were still in University. These days, we spend a lot of time on the preparation side to really utilize every minute of our rehearsals to our greatest advantage. 

 WAC:  If you weren't in this performance field, what would you be doing now? 

 Zach: I really like the process of learning new skills and there's something about music that always feels like I'm learning a new thing every time I play. So, I'm not sure of a particular singular profession that I would stick to but I've always wanted to learn to drive a big rig on the highway...maybe I'd do that for a couple years before heading into the bartending world, and then in my later years getting a cabin in the woods just to write poetry for a couple more. 

 WAC: What did you turn to as a creative outlet in 2022?

 Karl: A lot of dungeons and dragons and writing/storytelling! It’s the counterbalance to my musical writing in certain ways. Both use the same creative muscles but when I’m getting burnt out on one, the other can be a welcome gear shift.

 WAC: What songs, artists, or genres of music are you currently listening to?

 Karl: When I’m trying to chill or especially when I’m traveling I’ve been playing the George Strezov soundtrack to the video game Surviving Mars. For more active listening I’ve been jamming to Million Masks of God by Manchester Orchestra and Modern Country by William Tyler.

 WAC: What's the #1 thing on your Netflix watchlist?

Karl: I REALLY need to finish Dark. I’m only one episode in and I fell off for no particular reason. I’ve heard such great things about it and it hasn’t been spoiled for me yet so that’s my next big watch.

Zach: I second this!

WAC: What are 5 words that best describe your work?
Zach: Storytelling, Family, Risky, Humourous, Disruptive (like in a field not necessarily on stage)

Known for bringing unforgettable and unique experiences to Northwest Arkansas, Walton Arts Center welcomes Invoke’s The Adventures of Prince Achmed to its stage. Hear Zach talk more about this exceptional performance and why it’s a “can’t miss” for audiences.

This performance is presented as a part of the 10x10 Arts Series and the center’s Mosaix programming initiative. Tickets are just $10, and available in-person at the Walton Arts Center Box Office weekdays 10 am until 2 pm, by calling 479.443.5600 weekdays 10 am until 5 pm or by visiting waltonartscenter.org.

Celebrate Your Valentine's Date Night at Walton Arts Center

Nothing says, “I love you,” quite like the gift of live entertainment. Ditch the conversation hearts and roses this year, and treat your Valentine to Walton Arts Center tickets instead!

With Valentine’s Day falling on a Monday this year, you can surprise your sweetie with tickets to a date-night to see the Sullivan Fortner Trio or American Patchwork Quartet appearing at Walton Arts Center that weekend.

Sullivan Fortner

On Friday, February 18, the Jazz virtuoso Sullivan Fortner will provide the perfect soundtrack to a romantic and inspiring night of music.

Saturday, February 19, has American Patchwork Quartet, that draws on a repertoire of centuries-old American folk songs that highlight America’s immigrant roots.

But that’s not all...

This year, when you purchase any Walton Arts Center or Walmart AMP tickets or gift certificates through our box office in the month of February, you’ll receive a special offer from some of our favorite local businesses. Just present your ticket receipt at the businesses below to redeem your offer. 

• Crown Beauty Bar: 10% off services and a free gift with purchase of a product

• Pearl’s Books: 10% off total purchase

• Riffraff Fayetteville: 15% off storewide

• Spark Café: Buy one single scoop cup or cone, get a second one free

• Zuzu's Petals & Gifts: Free delivery on Valentine's Day with any purchase over $50 (while availability lasts)

• ELXR Yoga Lounge: $15 off a 5-class package or 50% off the first month when purchasing a membership

• Onyx Coffee Lab: 10% off whole bean coffee

• Gearhead Outfitters: Free tote bag and mystery gift with purchase

• Block Street Records: 10% off everything in store.

joyUS justUS

In addition to the great discounts at local business, Walton Arts Center has plenty of shows will make anyone swoon. From live music like Darrell Scott and Tower of Power, to dance like Circa Sacre and CONTRA-TIEMPO joyUS justUS, and of course Broadway classics like Fiddler on the Roof and A Chorus Line, there is something for everyone. And Walton Arts Center even has your little Valentine’s covered with family and children’s programming like Popovich Comedy Pet Theater.

Show the loves in your life that you care more than the boring old box of chocolates and flowers! Valentine’s Day shopping is made easy by the myriad of entertainment offerings that the we have coming up!

For more information about the Valentine’s Day Specials, visit waltonartscenter.org/valentines-day-deals. Visit waltonartscenter.org or amptickets.com for a complete list of upcoming shows. Can’t decide which show to choose? Then get a gift certificate that can be redeemed at either venue.

Purchase tickets or gift certificates online, by calling 479.443.5600 weekdays 10 am until 5 pm or in-person weekday at the Walton Arts Center Box Office 10 am until 2 pm or the Walmart AMP Box Office 10 am until 5 pm.

WAC Observes Black History Month with Virtual Performance of Civil Rights Story

The observation of Black History Month dates back to 1915, when Carter G. Woodson, now known as the “Father of Black History,” created an organization called the Association for the Study of Negro Life and History. In 1926, Woodson initiated the first “Negro History Week” on February 7 to celebrate and raise awareness of Black history. In 1976, this turned into a month-long celebration and was renamed Black History Month.

Highlighting the accomplishments and history of people of color in theater is a Walton Arts Center priority all year long. During Black History Month 2022, we are so pleased to be bringing Turning 15 on the Road to Freedom a new musical filled with traditional and original gospel and freedom songs.

Turning 15 on the Road to Freedom is being presented as a virtual performance, and tickets are just $10 per household. Ticketholders will receive a link on Thursday, Feb. 3, to view the performance that will be active through Wednesday, Feb. 16. The virtual performance also includes a question and answer with Lowery and Jessamyn Rongey, a teacher from J.O. Kelly Middle School in Springdale.

The uplifting performance tells the inspiring true story of Lynda Blackmon Lowery, the youngest person to walk all the way from Selma to Montgomery, Alabama, in the 1965 Voting Rights March. Jailed nine times before her 15th birthday, Lynda and her friends and neighbors fought alongside Dr. Martin Luther King, Jr. to secure the right to vote for African Americans. Ally Sheedy (The Breakfast Club, High Art, “Psych”), adapted the award-winning memoir by Lynda Blackmon Lowery for the stage. 

The Selma to Montgomery marches that Lynda bravely participated in were held along the 54-mile highway from Selma, Alabama, to the state capital of Montgomery. The non-violent activists aimed to demonstrate the desire of African-American citizens to exercise their constitutional right to vote. Peacefully protesting against segregationist repression, Lynda and the Alabama marchers were part of a broader voting rights movement underway in the American south. By highlighting the racial injustice of voting rights, the activists helped to pass the Voting Rights Act – a landmark achievement of the civil rights movement.

While Lynda and her fellow marchers set forth with peaceful intentions, they were not met with the same consideration. The protest went according to plan until the marchers crossed the Edmund Pettus Bridge, where they encountered a wall of state troopers and county posse waiting for them on the other side.

Televised images of brutal attacks on the protesters shocked American and international news audiences. Amelia Boyton, who had helped to organize the march, was beaten unconscious. A photo of her lying on the road to the Edmund Pettus Bridge appeared on the front page of newspapers around the world.

Despite her young age, Lynda was not spared from the brutality on the day that came to be known as Bloody Sunday. She was mercilessly beaten by a police officer during the march. She needed seven stiches above her right eye and 28 stiches to the back of her head.

In all, 17 marchers were hospitalized and 50 treated for lesser injuries. Despite the senselessness of the attacks, the photos roused support for the Selma Voting Rights Campaign. President Johnson issued an immediate statement "deploring the brutality with which a number of Negro citizens of Alabama were treated.”

Turning 15 on the Road to Freedom unflinchingly tells the story of the often-brutal period of Civil Rights history in the United States. The show includes video of actual events and stylized dramatizations. Some of this content might not be appropriate for children under 10.

Tickets are $10, plus applicable fees, and are available for purchase in-person at the Walton Arts Center Box Office weekdays 10 am until 2 pm, by calling 479.443.5600 weekdays 10 am until 5 pm or by clicking here.

Bringing Arkansas History to Life

As a part of its commitment to arts education and the students of Northwest Arkansas, Walton Arts Center provides a rich lineup of live educational arts performances through the Colgate Classroom Series. Students come to the venue and experience live theater. Since 2020, this service is offered at no cost to the students or the schools.

In addition to school performances, the Colgate Classroom Series also offer public performances so that families can attend and learn together. With affordable ticket prices, this is way for parents and children to experience the thrill of live theater as a family, while giving them a meaningful topic to discuss afterwards. Parents and students alike will find the performances to be inspirational, moving, historically-accurate and thought provoking.

Bringing educational content to the stage is always a goal of Walton Arts Center – as is actually creating the content or facilitating the creation of educational theater. Trike Theatre’s production of Digging Up Arkansas, appearing on Saturday, Jan. 29, is an original play dedicated to Arkansas history.

The creation of Digging Up Arkansas came about when talking with educators throughout the region, Walton Arts Center staff noticed a common thread: students were not engaging with Arkansas history. When our education team heard about this problem, they knew that the arts could help bridge the gap. So, they enlisted the expertise of Arkansas playwright Mike Thomas and Trike Theater to create Digging up Arkansas, an original play designed to teach Arkansas history to students in a new and exciting way.

Digging Up Arkansas tells the story of three writers from the Federal Writer’s Project. They were sent to Arkansas to collect and present its history to the president. Along the journey, some of the train’s crates holding artifacts are rocked loose. Now with everything out of order, they have to work together to get the artifacts recategorized. The play uses artifacts, songs, stories and audience participation to teach Arkansas history.

Nearly 70,000 students, representing every county in Arkansas, have experienced Digging Up Arkansas since it started in 2010. Research, conducted with professors from the University of Missouri, Texas A&M University, and WAC's former VP of Learning and Engagement Laura Goodwin, measures the benefits of the original stage production Digging Up Arkansas. By randomly assigning school groups to participate in this program, researchers found that students who experienced Digging Up Arkansas demonstrated greater historical content knowledge, specifically content that is mandated by state curricular standards. Additionally, participating students demonstrated increased enthusiasm for learning history, greater historical empathy, and an increased interest in the performing arts.

These findings suggest that there are valuable educational benefits from arts-integrated learning opportunities provided through school partnerships with arts organizations. In recent years, studies have documented a decreased emphasis in arts and humanities instruction that correlates with the rise of test-based accountability pressures in public schools. One potential way for schools to fill this gap includes partnering with arts and cultural organizations to provide arts learning opportunities through arts integration.

Ever since the production first toured the state, Walton Arts Center and Trike Theatre have gotten requests from teachers to tour Digging Up Arkansas again. With these upcoming performances, the organizations are essentially creating Digging Up Arkansas 2.0.

Trike Theatre’s upcoming performances of Digging Up Arkansas will be filmed by students through a partnership with Springdale Public Schools. That footage will be used to create a video version of the play along with teaching resources. The ultimate plan is to have the project completed in coordination with the professional development cycle for Arkansas History in 2024 which will make the program on-demand for teachers across the state.

The play aligns with 3rd through 5th grade Arkansas history curriculum goals. The show engages young people in Arkansas history through drama. Through music and interactive theater experiences, the play brings Arkansas history to life right in front of students’ eyes. The show takes distant concepts and facts and transforms them into a tangible experience that students can latch onto and learn from.

Trike Theatre’s production of Digging Up Arkansas has two showings on Saturday, January 29 at 2 pm and 4 pm. Tickets start at $10, plus applicable fees.

An Officer and a Gentleman: Reimagining a Classic

The brand-new musical An Officer and a Gentleman had completed training, shined up its boots and was ready to hit the ground running with its national tour in early 2020…then the pandemic shut the production down.

“On the one hand, it was really difficult,” says Producer Stephen Gabriel. “But then there was a terrific positive.” The lockdown allowed the show’s creators to completely rework the production, he explains. After a “tremendous amount” of rewrites and swapping out songs, Gabriel says the productions “made leaps and bounds from what we originally had.”

Appearing at Walton Arts Center January 4-9, this love story follows two people going through different, but parallel struggles. A Naval officer candidate must learn to balance his ego with the ever-present demands of his strict drill sergeant. He falls for a local woman struggling to improve her life while working in the backbreaking conditions at the local factory.

This uplifting story comes packed with beloved music from the ‘70s, ‘80s and ‘90s. In addition to the Academy Award®-winning hit “Up Where We Belong,” the musical includes smash hits like “Renegade” by Styx, “Higher Love” by Steve Winwood, “Love Is a Battlefield” by Pat Benatar and others by Rick Springfield, Wilson Phillips and Melissa Ethridge.

“I hope that if people know the songs, they love how we’ve used them. And I hope if they don’t know the songs, then they just found a whole cache of favorite new tunes,” musical director Dan Lipton says.

Those who love the 1982 movie will get a dose of nostalgia, while still enjoying a lot of surprises. The show’s creative team wanted to bring the musical out of the 80s and into the present by placing a priority on the way that women are portrayed. Off the screen and onto the stage, the women are smarter, stronger and more empowered, explains writer and director Dick Scanlan. “Since 1982, the world has changed and our political perspectives are different,” Scanlan says. “We’ve really rethought the young women in the story.”

An Officer and a Gentleman is guaranteed to delight those who love the film as well as those who are new to the story. With a charming love story, toe-tapping songs and stunning choreography, this breathtaking production celebrates triumph over adversity and includes all of the iconic romance you’d expect.

With eight performances, tickets prices for An Officer and a Gentleman start at $41 plus applicable fees.

And don’t forget to make your theater night even more fun with show-themed cocktails that you’ll learn to make yourself at the Officer and a Gentleman cocktail class on Friday, Jan. 7. You’ll make and enjoy two cocktails along with light appetizers. Tickets are $35, and space is limited so act fast.

Purchase tickets for the show and the cocktail class by clicking below, by calling 479.443.5600 or by visiting the Walton Arts Center Box Office

Tickets Make Great Last Minute Gifts!

Everyone has someone on their shopping list who is just so hard to buy for! Gift giving can be so daunting – especially when you’re shopping in a last minute pinch. Most people have too much “stuff” as it is, and no one needs another candle. So, what do you get those hard-to-buy-for loved ones in your life? We suggest the gift of live entertainment!

Tickets to a Walton Arts Center show are a gift anyone would love to see under the tree or in their stocking. And depending on who it is that you’re buying for, maybe you’ll get lucky and be their plus one!

Take a look at our gift guide suggestions!

For Parents or In-Laws

Treat your parents or in-laws to a night at a classic Broadway show with Fiddler on the Roof or A Chorus Line.

Fiddler on the Roof (May 10-15) is filled with iconic songs and choreography, while telling the beloved story of life in a Jewish community in a pre-revolutionary Russian village.

A Chorus Line (June 24-26) shows a cattle call audition for a Broadway show, where dancers show off stunning choreography through catchy and emotional songs that recollect their lives.

A Chorus Line

For Your Significant Other

Darrell Scott

Nothing says “date night” like an intimate night of live music. Choose between any number of genres. Or better yet… why choose at all? Check out our Unilever Starrlight Jazz Club, West Street Live or Land O’Lakes Concert series shows for a fun night out together.

Sullivan Fortner Trio (Feb. 18) is led by the Grammy Award®winning bandleader, pianist and composer, and promises to be an unforgettable evening of music.

Darrell Scott (March 4) is a multi-instrumentalist singer-songwriter whose masterful songs and charming demeanor are a gem in the Americana/Folk music movement.

Tower of Power (April 10) is an American-based R&B horn section and band that has been performing 50 years of funk and soul hits.

For Your Girlfriends

Make it a girls’ night out with the fun ‘80s musical, An Officer and a Gentleman or feminist cultural icon Fran Lebowitz.

An Officer and a Gentleman

An Officer and Gentleman (Jan. 4-9) is guaranteed to lift you up where you belong! Based on the hit movie, the 80s soundtrack to this brand-new Broadway musical is a must for girls’ night.

A Conversation with Fran Lebowitz (Feb. 4) promises to be an evening of sharp wit from a cultural satirist whose works are regarded as classics of literary humor and social observation.

For Kids

We’ve got something for evening the littlest theater fans this season! From performing pets to singing zoo animals, kiddos are sure to be amazed.

Popovich Comedy Pet Theater (April 28) features circus veteran and “America’s Got Talent” finalist Gregory Popovich alongside the extraordinary talents of his performing pets! 

Madagascar the Musical (June 3-4) follows all of your favorite characters from the hit movie as they escape from the zoo and find themselves on the unexpected adventure of a lifetime.

Madagascar the Musical

For Teens and Preteens

Now is the time to turn your teens and tweens into theatre lovers! In addition to Broadway shows, we’ve got two performances that they’re sure to love.

Turning 15 on the Road to Freedom (Feb. 3) is a new musical that tells he inspiring true story of Lynda Blackmon Lowery, the youngest person to walk from Selma to Montgomery, Alabama during the Voting Rights March in 1965.

VoiceJam Competition (April 9) brings together the best a cappella groups from across the country along to battle it out live on stage. Ticket to this one will make an aca-awesome gift!

Something for Everyone!

Walton Arts Center works hard to bring something for everyone to its stages throughout the year. Whether you’re gifting a music-lover, a theatre-aficionado, a dance enthusiast or a classical music fan, we’ve got you covered.

Don’t see anything in this guide that fits the bill? Take a look at our calendar or consider a gift certificate. You just might find the gift that will be the hit of the season! 

Tickets to these and all Walton Arts Center shows can be purchased in-person at the Walton Arts Center Box Office, by calling 479.443.5600 or by visiting waltonartscenter.org.

Turning 15 on the Road to Freedom

Give the Gift of the Arts this Holiday Season

The holidays are the most wonderful time of the year – a time where generosity flows and goodwill abounds. This is also the time of year where many people choose to make donations to organizations and causes they care about. If you are looking to support a cause that gives back to our community, consider making a monetary gift to Walton Arts Center this year.

As a nonprofit organization, Walton Arts Center shows and education programming are made possible by the generosity of our community. We depend on the donations from individuals and families, as well as corporate giving, to help us achieve our mission of bringing the best performances to Northwest Arkansas each year.

With a holiday gift to Walton Arts Center, you support Arts Education and Arts Access Initiatives that help build a better community here in Northwest Arkansas. A gift of any size helps share the arts with local school children through field trips and in-school residencies and also helps offer accessible programming to community members through programs like Take A Seat and the 10x10 Arts Series.

• $10 represents one ticket to a Colgate Classroom Series or 10x10 Arts Series performance

• $50 represents a family of five attending a world class performance through Take A Seat

• $100 represents six hours of professional development for one teacher through Arts with Education (AWE) Institute

• $250 represents a field trip for one classroom to a Colgate Classroom Series performance

Walmart Associates, Triple Your Impact!

Additionally, between December 6 and January 26, Walmart is matching associate donations 2:1 during its Season of Giving Back campaign as part of the Associate Giving Program (AGP).

This means that if a Walmart, Sam’s Club or an affiliated brand associate gives $5, Walmart will give $10. Walmart will match an associate’s donation up to $10,000 until the match cap of $3 million is met.

If you are a U.S. Walmart, Sam’s Club or affiliated brand associate, consider participating in the Season of Giving Back campaign by making a gift to Walton Arts Center through the AGP page on OneWalmart. While on the Walmart network, associates can access the Season of Giving Back campaign page and recommend a U.S.- based nonprofit to receive their donation.

We are so grateful for every patron who walks in our door and for every donation that helps to make it all possible. With your gift, you are making a difference to so many people. Thank you from all of us at Walton Arts Center. We wish you the warmest holiday and happiest New Year.

Cirque Mechanics Brings the Circus to Walton Arts Center

Enter the most unlikely setting for a circus - a factory where the workers are acrobats and the machines are circus props. Welcome to Birdhouse Factory!

See a contortionist perform on a turntable powered by unicyclists. Be captivated by the trapeze artist powered by the spins of an acrobat inside a giant wheel. Be stunned as the trampoline wall artists defy the laws of gravity. Giggle at the antics of the characters, be impressed by the acro-dancing and find yourself enchanted by the story of laughter, love, flight and birdhouses.

Birdhouse Factory was inspired, in part, by the masterful industry murals of Mexican artist Diego Rivera, the outrageous illustrations of cartoonist Rube Goldberg and the slap-stick humor of Charlie Chaplin’s film Modern Times. While these inspirations make Birdhouse Factory artful, nostalgic and funny, the true essence of the show comes from the circus.

Birdhouse Factory is a simple story of daily life in a “widgets” factory circa 1935 as workers are brought together by the most unlikely of events: a bird accidentally injured by the main steam boiler. The accident and caring for the bird, brings the workers closer together and inspires them to break away from the monotony of the assembly-line. They showcase their true inner talents and abilities by using their bodies and machines to build birdhouses in a more joyous and soulful way.

Come be amazed by Cirque Mechanics Birdhouse Factory on Thursday, November 18. Tickets are only $10 (plus applicable fees), making this a perfect show for the whole family. Tickets are available by clicking the button below, calling the box office at 479.443.5600 or by visiting the box office in person.

Music Made of Memories

Have you ever heard an old song and immediately been transported to different a place and time? Maybe you’re pushing a grocery cart through the store and a song suddenly floods your memory with images of your high school prom. Perhaps you’re getting your teeth cleaned when a song takes you right back in time to your wedding day. Or maybe it’s as simple as a song on the car radio reminding you of the carefree days of your childhood. That’s the power of music. It’s a universal language that we all speak, and it has the ability to invoke some pretty powerful emotions.

Walton Arts Center is celebrating two distinct eras of music that are bound to stir up some memories. Whether you lived through the time when the music was made, or became a fan after it was already popular, the Glenn Miller Orchestra and RAIN – A Tribute to the Beatles, The Best of Abbey Road Live! has the ability to move people.

Starting with the Glenn Miller Orchestra, the sounds of big band, swing and jazz will ring in the air Thursday, Nov. 11 at 7pm. The legendary Glenn Miller was one of the most successful dance bandleaders back in the swing era of the 1930s and 40s. A matchless string of hit records, the constant impact of radio broadcasts and the power to draw a big audience, built and sustained the momentum of the music’s popularity. The group made a big impact right before and during the war, and had more hit records in one year than anybody in the history of the recording industry. In fact, its recording of “Chattanooga Choo-Choo” earned the first Gold Record ever awarded to a performing artist!

The Glenn Miller Orchestra packs a punch with a setlist that is sure to send audiences down memory lane with classics such as “Someone to Watch Over Me,” “Danny Boy” and “Don’t Sit Under the Apple Tree.” Not to mention their signature song, with which they would sign on and off at their engagements and radio broadcasts – “Moonlight Serenade. Today, the 18-member ensemble continues to play many of the original Miller arrangements both from the civilian band and the Army Air Force Band libraries.

Just as it was back in Glenn’s day, the Glenn Miller Orchestra is still one of the most sought-after big bands in the world. Their show is guaranteed to transport audiences back to the times of swing dancing, listening to music programs around the family radio and USO entertainment. Tickets prices to see the Glenn Miller Orchestra start at $10 plus applicable fees.

Moving from the sounds of big band to the sounds of one of the BIGGEST bands of all time, RAIN – A Tribute to The Beatles The Best of Abbey Road Live! is an experience that is certain to appeal to music fans of all ages and invoke an array of emotions and memories. Appearing at Walton Arts Center on Friday, Nov. 12, at 8 pm, this mind-blowing performance takes audiences back in time with the legendary foursome that is “the next best thing to seeing The Beatles!” (Associated Press).

Little did anyone know that a Sunday night in 1964 would change the course of popular music, popular culture - and history, forever. Millions of Americans tuned into The Ed Sullivan Show to watch a group of four mop-topped Englishmen in dark suits who called themselves The Beatles. What they witnessed was a new and exciting brand of melodic, guitar-and-harmonies-driven rock 'n' roll that was as infectious as it was original and unique. After that performance, Beatle-mania quickly swept the country – and the world. Even today, the music of the Beatles, and their iconic album “Abbey Road,” is still beloved by all ages.

Together longer than The Beatles, RAIN has mastered every song, gesture and nuance of the fab four, delivering a totally live, note-for-note performance that’s as infectious as it is transporting. With songs like “Here Comes the Sun,” “Oh! Darling” and “Maxwell Silverhammer,” this adoring tribute will take you back to a time when all you needed was love, and a little help from your friends!

Experience one of the world’s most iconic bands with RAIN – A Tribute to The Beatles The Best of Abbey Road Live! Ticket prices start at $41 plus applicable fees.

Whether you lived through it, became a fan after it was first made popular, or are altogether new to the music, come be transported to a different time and place in history at Walton Arts Center with these two performances. The Glenn Miller Orchestra and with RAIN – A Tribute to The Beatles The Best of Abbey Road Live! are two shows that celebrate yesteryear and the undeniable power of music.

Tickets for these and all Walton Arts Center performances are available by clicking the buttons above, by calling 479.443.5600 or in-person at the Walton Arts Center Box Office.

Up Close and Personal with Hasan Minhaj

Hasan Minhaj

If you had the opportunity to sit down with a famous person and ask them anything, what would you want to know? Obviously, it would depend on who it was and what earned them their status as a celebrity. On Monday, Nov. 8, at 7 pm, Hasan Minhaj is coming to the Walton Arts Center stage ready to talk about his background, career and experiences in an intimate conversation with the audience.

In today’s political and social climate, there is an interesting form of entertainment that blends commentary and comedy, and at the top of those performers is Minhaj. He is an American comedian, writer, producer, political commentator, actor and television host. As a first-generation American, Minhaj has a unique perspective that clearly resonates with audiences.

Heena Patel will moderate the conversation with Hasan Minhaj.

In 2017, Minhaj earned rave reviews for his performance hosting the 2017 White House Correspondents' Dinner, and for his one-hour Netflix comedy special Hasan Minhaj: Homecoming King, which earned him a 2018 Peabody Award. Minhaj joined The Daily Show with Jon Stewart as a correspondent in November 2014, where he was Jon’s last hire. He continued on in that role after Trevor Noah took over as host the following year and remained on the show through August 2018. Most recently, Minhaj has joined the cast of Apple TV+’s The Morning Show.

Although he is currently touring in support of his newest one-man show, The King’s Gesture, his engagement at the Walton Arts Center promises to be much more special. Appearing alongside guest moderator, Henna Patel, A Conversation with Hasan Minhaj will give you a first-person point of view into his life, career and viewpoints. Questions will be sourced from the audience and public, for a truly one-of-a-kind experience. You can submit a question for Minhaj to answer by emailing info@waltonartscenter.org.

Ticket prices for A Conversation with Hasan Minhaj start at $50 plus applicable fees and can be purchased in-person at the Walton Arts Center Box Office weekdays 10 am until 2 pm, by calling 479.443.5600 weekdays 10 am until 5 pm or by clicking below.

Northwest Arkansas Couple Experienced the Real Come From Away

Jason (seated) and Britny (center) Yandell with their hosts in Newfoundland. (Photo courtesy of the Yandells)

Jason and Britny Yandell have been in Fayetteville for nearly 17 years. Just three years prior to their move here, 9/11 shook our country and the world. Most Americans can tell you exactly where they were when they found out what had happened, and some can recall even the most mundane details of that fateful Tuesday. Jason and Britny are no different, but their memories focus much more on a little town called Gander

Come From Away is the hit Broadway musical that tells the remarkable true story of what happened to the passengers of 38 diverted planes on 9/11. Rather than arriving at their intended destinations, 7,000 passengers were forced to land in the small town of Gander in Newfoundland, Canada. Jason and Britny were two of those passengers who were taken into the homes and the hearts of the local townspeople.

Returning home to the US from a vacation in Prague, the couple were on a Delta flight when they were rerouted. They had been in the air for seven hours when they were told they were being diverted. “No one could tell us why,” Britny remembers.

The captain came on the radio and announced they were going to land. Jason said, “I don’t think he even said where. Just we were going to land because of a national airspace emergency and that’s all he said.”

Jason said that after taxiing clear, they had to stay in the plane on the ground because there was fear that there could still be terrorists aboard planes. While on the ground, Jason said they found out what had happened.

“The captain said there was a terrorist attack and was really holding back tears – well, crying really – on the radio. And for the captain of a wide-bodied airplane, that is obviously not common, so we knew it was a big deal.”

A view of busses that transported the “come from aways” around Gander. (Photo courtesy of the Yandells)

The Yandells and their fellow passengers were kept on their plane for 18 more hours In total they had spent more than an entire day on the plane. “We got bussed out (to a neighboring town) and went to go get deodorant and toothbrushes,” Britny said. “We hadn’t brushed our teeth in 28 hours!”

At that little convenience store where they stopped for essentials, is where Jason and Britny’s story began their very own Come From Away experience.

“Judy was running the convenience store, and she immediately shut down the store,” Jason said.

Britney elaborated saying, “She made us get in her car!”

Jason went on to say, “She drove us to her house, made us feel at home and then just left us for the rest of the day in her home. She went back to open up the store and go to work.”

Originally, the Yandells had been assigned to stay in the small gymnasium that had been set up with cots. Instead, they (along with another passenger from their plane) were welcomed into Judy and Tom’s home, where they stayed for the next five days.

“They gave us their bedroom,” said Britny. “We didn’t know it at the time that we were in their room. They had been sleeping on the floor.”

The Yandell’s experience with the hospitality of the people of Newfoundland mirrors what audiences experience when watching Come From Away. One of the lines from the musical that always get audiences laughing has a clerk saying, “Thank you for shopping at Walmart. Do you want to come back to my house for a shower?” And that’s how it really happened. The locals literally opened their homes to the “plane people” and made sure they were as comfortable as possible.

“The only word that comes to mind is benevolence. The whole experience. I don’t understand how they did it, but I guess it’s just an innate behavior. It was northing they had to do, it was just what they’re used to doing.” Britny said.

“I think also, they understood the gravity of the situation – how much we were hurting because our country was under attack.” Jason added.

Another aspect of the musical that Jason and Britny got to experience firsthand was getting “screeched-in,” a fun ceremony to make those who ‘come from away’ official Newfoundlanders. They said a boat that sits on the bank in the little town was brought in to the gym for the party, where they all sat and were given shots of rum and made to kiss a cod.

The real “come from aways” experience the Screech-in ceremony (Photo courtesy of the Yandells)

“The ceremony was so much fun. We kissed the fish. We drank the rum – and it was potent!” Britny recalls laughing. “Everybody got in the boat,” Jason said. “And these are people from all over the world. It was really cool that we’re all together and bonding together, trying to make each other feel better.”

Jason and Britny could have never imagined that what they experienced in Newfoundland could one day be turned into a hit Broadway musical. In fact, Britny was taken by complete surprise when she first heard of the play’s existence on a “60 Minutes” segment.

“I was in the kitchen and was like, whoa, wait, time out. what… they’re doing a play about the experience we all shared on 9/11? Are you kidding me? So, I told Jason, we have to see this. I don’t know how we’re going to see it, but we have to.” Walton Arts Center gave Jason and Britny that opportunity.

Britny said that the musical could have been taken directly from their memories. When the question “Where were you on 9/11?” comes up, they said that they usually tell their incredible story, but there’s no way to fully make people understand how special it was. Britney says “We know the experience and I just love that more people can experience it now. Because, let me tell you, they nailed it. They really nailed every aspect.” She says of the musical.

The Yandells and the other 7,000 passengers experienced something truly incredible. Come From Away is the uplifting story of the power of the human spirit that Jason and Britny assure us is accurate. “We were there five days,” she said, “All the people that we met, all the different personalities, the stories they shared, we shared… They taught us love.”

Just like in the show, the day the planes were finally able to leave it started to rain. (Photos courtesy of the Yandells).

Five Reasons to Volunteer at WAC

We’re looking for people to join our team of dedicated volunteers! Jessica Temple, volunteer programs assistant, shares more about the program in this guest post.

There’s an age-old saying in theater: “the show must go on.” At Walton Arts Center, we say something similar about our volunteer team: the show can’t go on without them! We have a dedicated corps of volunteers that are involved in every aspect of the WAC—helping in the administrative office, box office, concessions, ushering in the hall and more. What is it about WAC that keeps this team engaged and keeps them coming back to volunteer? We asked and according to our volunteers, it’s the people, patrons, volunteers, shows and fun. We think you might agree that these are great reasons to volunteer with us too! 

Volunteers work closely with WAC staff

Volunteers at Walton Arts Center get to interact with a variety of people behind the scenes and during performances. Volunteers work alongside staff and crew at Walton Arts Center before performances to stuff and deliver programs, greet vendors, decorate, and set up for special events. At performances they provide excellent customer service to our patrons.

Volunteers are central to patron experience

For the volunteers at Walton Arts Center, the patron experience is the top priority. Volunteers are the first and last people patrons see when arriving at and departing from a performance! Our volunteers love interacting with our patrons and ensuring that they have the best possible experience. They make this a priority for patrons of all ages whether it’s helping students at education shows get to and from buses or scanning tickets for a family attending a Broadway performance. 

Volunteer relationships turn into friendships

The volunteer team is a great place to meet other service-minded individuals. Friendships are formed and socializing occurs as our volunteers work alongside each other in a supportive and creative environment.  

Volunteer perks include social activities

Volunteering isn’t all work and no play. There is an incredible sense of community that is established inside and outside of the performance hall. We host a variety of social activities like game nights, happy hours and potlucks for our volunteers! 

Volunteers are part of the show!

All of our volunteers share a common interest in support the visual and performing arts for our community. Our volunteers help us bring a variety of world class entertainment to the area and our volunteers are a vital part of that process.  

To sign up to receive more information about volunteering at WAC, create a volunteer profile by clicking below!

Live Music and Jazz Return to WAC in 2021/22

The greatest musicians in modern history began in clubs, cabarets, restaurants and listening rooms. With the 2021/22 season return of West Street Live and the Unilever Starrlight Jazz Club, Walton Arts Center gives patrons a special opportunity to see powerfully talented jazz and singer-songwriter artists in an intimate setting.

West Street Live

West Street Live features artists displaying a variety of genres from traditional roots music to immigrant folk songs in an atmosphere reminiscent of neighborhood listening rooms and nightclubs. The setting allows patrons to connect with both the music and the musicians.

Wild Ponies

Wild Ponies

Oct. 21

Wild Ponies look to their roots in Southwest Virginia for inspiration. The result is bold Appalachian music created by a multi-cultural band whose members span several generations.

Ray Bonneville

Dec. 9

With a greasy guitar style, horn-like harmonica, smoky vocals and pulsing foot percussion, Ray Bonneville is a hard-driving, blues-dipped, song-and-groove man writing about people on the fringe of society.

American Patchwork Quartet

Feb. 19

This group seeks to reclaim the immigrant soul of American roots music. Drawing on a repertoire of American folk songs, this group encourages audiences to discover their commonalities and bond across cultures and races.

American Patchwork Quartet

Darrell Scott

March 4

Darrell Scott wrote songs recorded by more than 70 artists including The Chicks, Garth Brooks, Tim McGraw and more. Darrell Scott’s lyrics make sense of the world around us – encouraging us to consider what’s at stake and our place in it.

Rani Arbo & daisy mayhem

May 5

Combining wit, camaraderie and songs that can shake or hush the room, this American Roots string band leave audiences humming and hopeful, spirits renewed.

Unilever Starrlight Jazz Club

The Unilever Starrlight Jazz Club celebrates America’s original art form by hosting top musicians from around the world in an intimate jazz club atmosphere with cabaret-style seating options and tiered seating.

The Huntertones

Sept. 10

The Huntertones brings people together around the globe with their high energy, horn-driven sound fuses inspired improvisation and adventurous composition melding jazz, funk, rock, and soul.

Jane Bunnett and Maqueque

Oct. 22

Jane Bunnett’s band showcase the finest musical talent from Canada, the U.S. and Cuba. The group were voted as one the top ten jazz groups by the prestigious DownBeat magazine.

Samara Joy

Samara Joy

Dec. 10

With a voice of velvet, Samara Joy’ star rises with each performance. At just 21 years old, Samara has performed in many of the great jazz venues in NYC and worked with legendary jazz greats.

Sullivan Fortner Trio

Feb. 18

A Grammy Award®-winning pianist, composer and band leader, Sullivan Fortner pulls distinct elements from different eras, preserving tradition while evolving the sound.

Clark Gibson Quintet

March 5

A star-studded original jazz music project featuring bandleader Clark Gibson on alto saxophone; trumpet performer, Sean Jones; trombonists Michael Dease; two-time Grammy®-nominated organist Pat Bianchi; and drummer Lewis Nash.

Subscriptions for both the West Street Live and Unilever Starrlight Jazz Series are available now by clicking the buttons above, by visiting waltonartscenter.org or by calling our box office at 479.443.5600. Single tickets for both series will go on sale later this summer.

Five Memories to Share through "My Walton Arts Center"

We recently marked our 29th anniversary at Walton Arts Center. To celebrate the milestone and in looking ahead to our 30th anniversary, we launched My Walton Arts Center, a year-long campaign to collect memories from patrons, volunteers, staff, artists and partners.

The project launches as we are gearing up for the return of Broadway shows and full-scale performances after over a year of modified operations due to the pandemic. During the performance suspension, we consistently heard from patrons and community members about how much Walton Arts Center means to them. This inspired us to capture those memories and celebrate our place in the cultural fabric of Northwest Arkansas for nearly three decades.

 We’re looking for all kinds of memories—the first show you saw at WAC, what you value most about WAC, a favorite memory attending a WAC event with family or friends, a time you got to be part of an educational experience or why you consider WAC to be your theater.

 Memories can be submitted in two ways.

Option one: call us and leave a voicemail! We’ve set up a special My Walton Arts Center voice mail box. Just call 479.571.2702 and state your name, the city you’re calling from and your memory.

Option two: visit our website. The My Walton Arts Center page on our website. Follow the instructions there to record your memory.

 Our goal is to incorporate memories from the community into our 30th anniversary celebration in 2022. By recording your memory, patrons give Walton Arts Center permission to use their voice or memory in next year’s celebration.

Five Ideas for Memories to Share

Your First Time at Walton Arts Center

WAC’s Grand Opening in 1992

We’ve been here for almost 30 years—did you see a show in our first season in 1992? Or maybe you discovered WAC when you recently moved to the area? Tell us how you found us and what the first performance you saw in our venue was!

A favorite show you’ve seen at WAC

In a normal year, we host over 500 events in the Northwest Arkansas region including Broadway, dance, classical music, VoiceJam, Artosphere and more. What is your favorite performance you’ve seen? Maybe a singer-songwriter you discovered through West Street Live, seeing touring Broadway show you’d waited years to experience, traipsing through Artosphere: Off the Grid with family or even a concert at the AMP? Tell us about it!

An Educational Experience

During a normal school year, over 26,000 students hop onto school busses to see an educational show at WAC. Did you take a field trip to WAC as a child? Maybe you’re a teacher who looks forward to bringing their students to a show—or even a parent who makes a point to be a field trip chaperone when your child is heading to WAC. Tell us what you learned from visiting WAC or why you enjoyed the educational show!

Your Performance at WAC

We want to hear from artists too! Touring performers visiting our venue often say that the Northwest Arkansas area is a hidden gem on their tour route. Have you performed at WAC before? Tell us why stopping here sticks out in your memory.

Special Events

WAC knows how to plan a party! We host special events like Art of Wine and the Masquerade Ball, but we also throw patron events too! Did you attend a gala, a private party or even a wedding at WAC? Tell us why your special night at WAC was one to remember.

Patrons enjoy Art of Wine: Uncorked! (Novo Studio)

2021 Artosphere Photography Contest Winners

This year Artosphere, Arkansas’ Arts + Nature Festival, returned following a year off during the COVID-19 outbreak. For the annual Artosphere photography contest, Arkansas-based photographers submitted original photos inspired by the theme “art in nature.” Adjudicator Rebecca Drolen, assistant professor of photography at the University of Arkansas, selected a grand prize winner and nominated several photos for the People’s Choice Award, which was voted on by members of the public. We are excited to announce the winners of this year’s competition!

Grand Prize Winner: Elijah Aron

“Black Vulture at Lee Creek” by Elijah Aron

Judge’s Statement: Aron’s dramatic photograph of a vulture has a dream-like quality that complicates the notion of a nature photographer as someone who simply documents.  Aron's intimate photograph inspires wonder as well as some intimidation at the beauty and closeness of these creatures.

Artist Statement: My dog Sonja and I were out in the woods testing a rare cine lens (the Schneider Xenon 50mm f0.95) when we stumbled upon this black vulture. I slowly approached it as Sonja waited nearby. I was only about 10 feet from the bird as I captured this shot before it flew to a higher position.

People’s Choice Award Winner: Jade Edster

“Frozen Bubble” by Jade Edster

The People’s Choice winner was chosen based on voting that took place via Walton Arts Center’s Facebook page.

Artist Statement: A picture of the way bubbles freeze in the extreme cold.

Thank you to everyone who participated in this year’s Artosphere Photography Contest. There are still several events left in this year’s Artosphere lineup, including a performance by Dover Quartet, the signature Trail Mix event, the Artosphere film series and Art Heist, a immersive true-crime theater experience! Find tickets, info and more at artospherefestival.org.

Nonprofit Partner of the Month: Arkansas Immigrant Defense

This winter Walton Arts Center launched the Nonprofit Assistance Program to provide assistance to fellow nonprofits within our community. Made possible by support from Walmart, the Nonprofit Assistance Program enables Walton Arts Center and the Walmart AMP to share resources, like space and the talents of our team, so local nonprofits can continue to pursue their missions.

We might not all serve the same people or the same causes, but we all work together to make Northwest Arkansas better.

Our team of advocates contacted local nonprofits about the resources available to them through the program, including:

• Complimentary space for a socially distanced meeting or small private event

• Walton Arts Center and/or the Walmart AMP as a drop-off location for collection drives

• Consultation with staff members

• Professional services

• Volunteers for projects and events

The response has been amazing, not just in the requests for assistance, but in the myriad of nonprofits who continue working hard, despite current challenges, to meet the needs of our community. If you want to learn more about the Nonprofit Assistance Program please visit waltonartscenter.org/nap.

In addition to helping, we also wanted to introduce you to some of the dedicated people and organizations who are making a difference every day. So, we will be highlighting a nonprofit partner of the month. This month we want to introduce you to Arkansas Immigrant Defense (AID). Walton Arts Center provided volunteers to help pack and deliver fresh food to area immigrant and refugee families.

5 Things You Need to Know About Arkansas Immigrant Defense

Luis Paganelli Marin

Luis Paganelli Marin, COVID Coordinator for AID

1.    AID is a nonprofit law firm that provides immigration legal services to immigrants and refugees, community education and advocacy primarily in NWA.

2.    As a result of the pandemic, AID clients have experienced income loss and food insecurity due to reduced work hours. In response, AID created a fresh food assistance program in partnership with St. James Food Pantry.

3.    The program has served over 4,200 individuals since October 2020 and will continue through the end of April 2021.

4.    Volunteers meet every two weeks to pack and deliver 160 boxes full of fresh foods to the doorsteps of food-insecure immigrant and refugee families across Washington, Benton and Carroll counties.

5.    Through partnerships with UAMS and the NWA Council, AID has also helped meet the needs of clients and members of the immigrant and refugee community by providing health education and rent/utility assistance.

How You Can Get Involved

What is AID’s biggest need right now?

AID clients have disproportionately suffered from the social and economic effects of the pandemic and require broad financial relief for rent, utilities and other essentials including food.

How can people get involved with AID?

People can get involved by following us on social media, sharing our posts, signing up for packing or delivery volunteer opportunities and by reaching out to AID offering your advocacy, expertise and passion.

What do you want people to know/understand about the immigrant and refugee community in Northwest Arkansas?

Like other regions in the U.S., immigrants and refugees are integral to our communities. They are your friends, neighbors, co-workers and loved ones who seek to thrive with dignity in NWA.

Learn more about the work of AID at aidarkansas.com.

Statement on Discriminatory Legislation in Arkansas

The current Arkansas legislature has passed and continues to discuss policies that unfairly restrict rights of the LGBTQ+ community, specifically transgender Arkansans. This type of legislation does not advance the interests of all Arkansans as it harms individuals and impacts the ability of businesses and industries across the state to recruit talent and bring artists and tourists to the region.

This legislation does not reflect Walton Arts Center's core values and commitment to create inclusive spaces where everyone feels welcome to experience the performing arts. We are committed to working alongside stakeholders across the state to ensure Arkansas laws reflect an inclusive and equitable community.

Walton Arts Center’s Diversity, Equity and Inclusion Mission Statement

Walton Arts Center brings great performing artists and entertainers from around the world to Northwest Arkansas, connecting and engaging people through inspiring arts experiences. We are committed to presenting these experiences in and from an environment that is inclusive, equitable, and diverse, free from hate and violence. We embrace all races, ethnicities, and genders with compassion; we amplify authentic voices; and we exemplify curiosity about the peoples, cultures, and perspectives of our global community.

Diversity Digest: Black History Month

Each month, Walton Arts Center’s staff Diversity, Equity and Inclusion committee distributes an employee newsletter highlighting the DEI focus for the month, recommendations on DEI resources and more. Starting this month, we’re sharing portions of that newsletter here on our blog. This month’s newsletter celebrates Black History Month.

Black History Month Must-See Movies and TV by Mallory Barker, School Services Specialist

The weather outside is frightful and most of us are still stuck inside a la COVID, so what better way to celebrate Black History Month than with the perfect binge-worthy watch list!  Whether you want to take a look back and celebrate where we have come from, relive historic moments, relish in a good love story, or just enjoy a good Indie film, this list has got you covered! Here’s my list of must-see films and television during Black History Month. 

1.    Sylvie’s Love – When a young woman meets an aspiring saxophonist in her father’s record shop in 1950’s Harlem, their love ignites a sweeping romance that transcends changing times, geography and professional success. Streaming on Amazon Prime

2.    Queen Sugar Queen Sugar, follows the life of three siblings who move to Louisiana to claim an inheritance from their recently departed father-an 800-acre sugarcane farm. Season four begins on February 16th so you can binge the first three seasons now and catch new episodes on OWN.

3.    Insecure-Created by and starring Issa Rae, this acclaimed HBO comedy series centers around best friends Issa and Molly as they navigate the challenges of being black women who defy all stereotypes. Streaming on HBO Max

4.    Toni Morrison, The Pieces I Am - Author Toni Morrison leads an assembly of her peers, critics and colleagues on an exploration of race, history, America and the human condition. Streaming on Hulu

5.    Malcolm and Marie - John David Washington and Zendaya star in this “not a love story…love story”. Washington stars as a filmmaker who returns home with his girlfriend (Zendaya) on the night of a successful movie premiere. Smoldering tensions and painful revelations push them toward a romantic reckoning.  Streaming on Netflix

6.    One Night in Miami - On the night of Feb. 25, 1964, in Miami, Cassius Clay joins Jim Brown, Sam Cooke and Malcom X, and they discuss the responsibility of being successful black men during the civil rights movement. Streaming on Amazon

7.    I Am Not Your Negro - This 2016 documentary film is based on James Baldwin's unfinished manuscript Remember This House. Narrated by actor Samuel L. Jackson, the film explores the history of racism in the United States through Baldwin's reminiscences of civil rights leaders Medgar Evers, Malcolm X and Martin Luther King Jr., as well as his personal observations of American history. Streaming on Hulu

8.    Ma Rainey’s Black Bottom - Tensions and temperatures rise at a Chicago music studio in 1927 when fiery, fearless blues singer Ma Rainey joins her band for a recording session. Streaming on Netflix

9.    Bridgerton - The eight close-knit siblings of the Bridgerton family look for love and happiness in London high society. Inspired by Julia Quinn’s bestselling novels. Streaming on Netflix

10.  Middle of Nowhere – When her husband is sentenced to eight years in prison, Ruby drops out of medical school in order to focus on her husband’s well-being while he’s incarcerated-leading her on a journey of self-discovery in the process.

I Was Wrong: Reflections On Growing as an Ally by Rachel Burkevich, Programming Specialist

Originally, I had intended to call out “Black Female Excellence” in this piece….

That is, until I read a blog post shared on Facebook by a playwright who I had intended to highlight no less. The post is called Full Stop: Casually Anti-Black Behaviors You Need to Quit NOW and is written by playwright Sharai Bohannon.

Her FIRST point in a list of 17 is “Don’t co-opt phrases like ‘Black Excellence,’ ‘Black Girl Magic,’ or ‘Black Boy Joy,’ or anything similar to those phrases.” Which is exactly what I was about to do.

I encourage everyone to take the time and read her entire post linked above, but basically she is saying that those phrases and accolades are not for white people to determine and give. 

That realization just reminds me The point that I would now like to make with this piece is that we are always learning. It is so important to note when we are wrong and not hide in our shame. By sharing our ignorance others can learn, and the trauma we cause can finally begin to dissipate. Admit when we’re wrong. Apologize (publically when necessary). Do not pretend that it didn’t happen. And then change the behavior.

Having said that, we should absolutely not ignore lists of “Black Excellence” or Netflix’s “Celebrating Black Voices” category - but we should notice who has made the list. Who has collected these names, movies, songs, etc. and told me they are important? 

I was wrong to assume that I had any authority to curate a list of “Black Excellence”. I apologize and I will do better. I will continue to listen, read, and use my privilege to amplify voices that are often not heard. Please read Shari’s full post. 

Lessons in Resiliency from the Story of Annie Easley

The best stories come from real life, and that’s the case with a show featured as part of this year’s virtual Colgate Classroom Series. Students have the opportunity to learn about an amazing Black mathematician thanks to Syracuse Stage’s Resiliency, a virtual arts education experience using the play Commanding Space: The Rise of Annie Easley and the Centaur Rocket.  

The education unit is based on the life of Annie Easley, a Black woman who worked for 34 years at the National Advisory Committee for Aeronautics, known today as NASA.

Daisha Abdillahi appears as Annie Easley in Commanding Space

When Easley was hired as a computer in 1955, she was one of just four African Americans out of 2,500 employees – a true trailblazer in her field. Easley quickly realized her dream was to be on the team of mathematicians working to launch the Centaur Rocket.

During her life, she saw many incredible changes both in the workplace and in the country at large. Annie’s resiliency is a personality trait that helped her to succeed despite adversity. Her mother always told her that she could be anything she wanted to be as long as she worked at it and that instilled in her a drive and determination that led to her long and groundbreaking career.

Syracuse Stage produced a play about Easley’s life, Commanding Space: The Rise of Annie Easley and the Centaur Rocket by playwright Stephanie Leary, and took it to schools in their area.

“It brought me such joy to be able to introduce to a lot of students who don’t have access to theater to such a wonderful show about such a strong, beautiful human that really teaches them the importance of striving for something,” said MiKayla Hawkinson, stage manager for the original production of Commanding Space and community engagement and education specialists with Syracuse Stage.

MiKayla Hawkinson addresses students in one of the educational videos from Resiliency

Because of the impact of the stage production, Syracuse Stage wanted to find a way to take Easley’s story to a larger group of students.

Resiliency is targeted toward grades 2-8, but the lessons about the importance of resiliency taught through the lens of a Black woman mathematician in the age of Jim Crow, are applicable to all. The virtual arts experience includes clips from the original play about Easley but students also get to hear from the actor who plays Easley and the playwright and learn how their own resiliency has helped them.

Ultimately, this story about a bright, driven, resilient young woman of color gives us a personal glimpse into her life, her dreams and her challenges. And Easley’s drive and determination encourages all of us to cultivate our own resiliency tools to reach our goals.

For more information on Resiliency and other virtual educational arts experiences available to Arkansas teachers through the Colgate Classroom Series, visit our website.